How I shot this: Lunar eclipse, 28 Sep 2015 – 24 March 2018
On 27-28 September 2015 there was a supermoon and lunar eclipse. This article describes how I shot that eclipse using multi-exposure with my Hasselblad 203FE.
Hasselblad PC Mutar T* 1.4x Converter – 20 March 2018
The Hasselblad PC Mutar is a 1.4x teleconverter with 'perspective control' for the Hasselblad V system of single-lens reflex cameras.
How I shot this: A Spotless Sun – 18 March 2018
This is the first in a series of articles describing how I have shot certain photographs. In this one I describe shooting the Sun through a filter made with Baader Planetarium Astro Solar Safety Film.
Extension tubes on the Hasselblad – 13 June 2017
This article describes the use of extension tubes in general, but with a particular focus on the Hasselblad V system.
My scanning and post-processing workflow – 9 June 2017
This article describes my workflow from the point the film is mounted in the film holders for the Nikon Coolscan 9000 through to the final TIFF or JPEG. It describes using Vuescan, Photoshop, ColorPerfect and Adobe Camera Raw for scanning and processing scanned film.
Cleaning the mirror and lens on the Nikon Coolscan 9000 – 20 February 2015
Two suggestions to help anyone considering cleaning the mirror and lens on this scanner.
Slide film: Why I don’t use ColorPerfect – 7 March 2014
I like ColorPerfect a lot for colour negative scans but I find that it does not give great results when used with slide film. Here’s why.
Leica Summilux-M 35 mm f/1.4 ASPH : The Most Versatile M Lens? – 2 February 2014 (revised 4 February 2017)
Notes on the performance and handling of this, pretty exceptional, lens for the Leica M system, from someone who doesn’t even like the 35mm focal length very much.
How I load a Barnack camera (with video) – 29 June 2013
This is a short step-by-step guide (with a half-minute video) showing how I load film my Leica II(D). It is a lot easier than one might think.
Leica Digilux 2 ISO test – 21 May 2012
The Digilux 2 remains today a capable camera, largely due to the amazing lens that Leica decided to plonk onto it. This is a comparison of the camera’s RAW performance from EI25 to EI1600 using the camera’s rather limited ISO settings, ISO100-400.